Part 3 Adding Moulding Details To the Ceiling; A Wood Carved Border

In this post on Lincrusta I shared the most beautiful freize and how I couldn’t afford it. When you’re refurbishing a period home you must be careful with your budget, obviously, as there are so many hidden costs. So being resourceful is a necessity. How did I get the look I wanted? I turned to wood carvings. Again.

They’re becoming a bit of a go to of mine; they’re inexpensive and you can use them in so many projects. In this one I thought I could use them as a border. It was a very simple process that just involved measuring out the space and putting the wood carvings within a suitable distance of each other.

Paint the wood carvings

I quickly spray painted my carvings prior to using them. It means that I don’t have to paint them in situ and therefore didn’t have to worry about overlapping the contrasting colour of the wall itself. Just put them in a large box and spray paint; the box will act as a shield for the surrounding area. Spray paint can be super messy.

The coverage of the carving wasn’t thick, but that’s ok. I can touch up just the tops later and not risk ruining the walls.

Measure the distance and calculate the positioning.

I had 23 wood carvings. On the wall with windows there could only be three wood carvings realistically, so that left me with three walls and 18 wood carvings. So six carvings per wall.

As the wood carvings are 30 cms and the wall is 380 cms I divided the wall into eight, then the difference between the length of the wood carving and the length of divided wall was the distance between each wood carving.

So in this case 380 divided by 8 was 8 x 45, with 20 remainder. I then divided that 20 by two and added ten cms additional gap on both ends. The adjoining walls and the optics of the two corner wood carvings meant that this didn’t look out of place.

Mark where the wood carvings go

I drew lines with a pencil where the wood carvings would go. I did this for two reasons. One, it allowed me to make sure I was happy with the arrangement and two, because I could ensure that the line was straight, and therefore it would give me a good guideline for positioning the wood carving itself.

Just glue in place

It’s this simple. Just get some no more nails type glue, add sufficient glue on the back and glue in place. Be careful if it’s white as it could destroy the paint job underneath; put it in larger areas and not too much so it doesn’t splurge out of the sides.

Stand back and admire it

Yes, that simple.

So how much did it cost?

Remember I told you that a Lincrusta border was £300? Well this cost me less than £40.

The paint work needs to be touched up and I have more details to add to this ceiling area, hence my briefly sharing here. I hope to update the next part shortly.

Also, if you have Lincrusta or Anaglypta wallpaper have you kept it? Do you want some? What are your thoughts on this period homes staple? Or do you think you would be happy with the wood carved, cheaper option? Let me know in the comments below.

12 Posts of Christmas; Hallway Mouldings

This is a really simple post for New Year’s Day. I’ve been thinking about how to add mouldings to the walls in the part of our staircase that has the turning stair leading up to the higher floors. Unlike the front hallway at first glance this isn’t a simple one third, one third, one third prospect where I have a type of moulding below a dado, something above in the next third, then a picture rail and ceiling section of moulding. The need to follow a diagonal line which turns into a flat can make this simple formula complicated.

The below dado section is fine, but if you want to add a series of panelled mouldings in the next third, as I do, they have the challenge of having to follow the diagonal line too.

I managed to gain inspiration from great houses and how they handled this dilemma.

Here in this green painted stately home you can see how the mouldings have been used in lines to section off areas giving clear horizontals to create tableaux mouldings. So a narrow, moulded frieze runs from the base of a higher floor around the visible stairwell.

Here it is in a more simply painted white decor, although the mouldings are magnificent.

Here is what I will base my blue and white colour scheme on, with the possibility of less expensive stencilled panels surrounded by simple, wood appliqué moulding frames.

Obviously the ceiling moulding is never going to happen, but it’s interesting to see how the final area on a stairwell landing can be treated.

Bonne Année to you all!

The Salon; Remodelling a Modern Cupboard to French Country Style

I’ve written about the decor review I’ve made of the living room and how I was planning for it to reflect more of an American, French Country style. In the corner of the room was a cupboard and its obviously a modern style.

So I decided to change it to something more along the lines of how I wanted it to look. I used the same technique that I used for the hallway; wood appliqués. I’ve also used window film and faux lead light (click the links to see the other projects that use these items too).

Adding the appliqués

I used 3 rose lengths and 4 rose corner appliqués, along with some half rounds.

The first thing I did was put one appliqué aside and painted it in the same French grey that I did the rose table in. This room seems to be developing a theme. I intended this appliqué for the top of the cupboard, so painting it like this was easier.

Next I placed the rose lengths. I used no more nails glue as I couldn’t get the door from its hinges and with that, when you put it on the horizontal surface, it stays put.

Measure the centre of the door and put one of your unpainted rose lengths on. Using a spirit level make sure it’s horizontal.

Then ascertain where the centre line is on the bottom of the door. Measure the same distance from the bottom as there is between the top and the appliqué. Put your second rose length there ensuring they’re a direct mirror image. I chose to put the second one upside down because of the central roses I intended to use later. Make sure this appliqué is also horizontal with the spirit level.

Ascertain how far you want the corner roses to be from the rose length and using your spirit level place them either side. Use your spirit level horizontally to make sure that they are directly vertical on the exterior edge.

Then cut your half round to fill the gaps between the corner and rose lengths. Glue them on too.

Score the door horizontally using the spirit level edge placed against the bottom rose length. Then do the same thing vertically using the exterior edge of the rose corner. You should now have scored intersections to place your last two rose corners.

Measure, cut and apply the final horizontal half rounds and then do the lengths.

Measure again to determine the central point then place the roses in a mirror image in the centre.

Allow this all to dry prior to using wood filler to smooth any gaps between the appliqués and the half rounds. Leave it to dry again before painting the cupboard.

When it’s finished being painted glue the final rose length to the center of the top of the cupboard prior to sanding and sealing it. I actually sealed this with clear, water based varnish for speed. I needed to put everything back before the kids got home.

Once this is finished it’s time to apply the window film. Here’s the instructions from Laura Ashley…

This was left over from another project and was a wee bit small. So I disguised this by cutting it to be a central panel and then adding faux lead light.

The room really is beginning to look more of the same style and the cupboard had been a jarring note in that. I’m so pleased with the results. I plan on revealing the whole room tomorrow so I hope you’ll subscribe and see how I’ve I’m decorating for Christmas in a French Country style.

Repurposed Armoire Carvings

Repurposed Armoire Carvings

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These actually aren’t just repurposed armoire carving tops, I’ve also used some brackets from a dressing table.

Firstly the armoire top. I’d been wondering in my local brocante when I saw this amongst the furniture in the less, ahem, showy items (yep, the junky section). It’s dirty and my first thought was ‘20€, what a joke’. Off home I went. Then literally in the night it popped in my head. In fact, it was more an image of it above our bifold doors.

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I still think 20€ is a lot, but I’ve researched carvings like this to do the same job and they’re at least 130€. It doesn’t seem so bad in comparison does it?

So Monday morning I was there and home it came with me (with a light fitting for our soon to be kitchen, but I’ll tell you about that later). As I was driving home I remembered the arms to a mirror from a dressing table mirror that I’d kept. I was going to use it for a different project, but my plans have changed and I’d spotted them recently making me wonder what I’d now do with them.

I was thinking about the abrupt, dead end the carving would have when I removed the side struts. My initial thought was that I could match the three together. However when I put them in place it was evident this wouldn’t work as the straight sides where too big for ends of the carving.

Looking at them again I realised that if I joined them together they might make a nice heading to the other side of the bi fold doors.

I put the carving above the doors – too big; they hit the dado rail I’d put up in the room. My mind turned to the mirror struts, but then I remembered something else. When my family and I had moved here we bought an armoire for our rented property. Long story short (unlike this one) it broke. I kept lots of bits to use elsewhere, including the top. I sought it out in the garage and, with it’s intericate, traditional carvings, it was perfect for above the door in the dining room.

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So this is how we’re looking now. A large armoire top which is going in the hallway, mirror scrolls to be joined together and put above the bifold doors between the sitting room and dining room and another armoire top above the other side of those doors in the dining room.

The dining rooms colours of teal green and blush pink are being used in the doors too. I’m not going to show you a full picture of this yet, as there’s more work to be done in the dining room and the lights not good today. The next thing I’m working on in there is a possible stencilled ceiling.

Id rather gotten bored of finishing this room off, I’ve been waiting for someone to make a patters for a dolly light switch before I showed the whole room, this has ré-energised me.