How To; Door Mouldings and Details

I’ve had a terrible chest infection, it’s something I’ve been susceptible to since forever, but this one has been very hard to shift. It still lingers, but I’m starting to be able to join the land of the living -even if I limp away after short periods of time.

However as it’s the feast of the Sacred Heart today I thought I’d give you an update on the hallway, with its dedication to the Sacred Heart, and in particular the doorways that I’ve painted. The hallway isn’t finished so you’ll see some snags in the paintwork amongst other things which I’ll touch up prior to those final details.

The doors originally looked like this…

I’d already added the vintage fingerplates and I knew I’d paint and gild the doors as I did in the dining room, but as you can see from these picture I’ve also added a feature on the top….

These were wood mouldings bought here that I didn’t painted gold. They tie in with the wood carving over thee main door. Those of you who read the blog at that time will remember that I’d bought this old top from an armour and put it above the door (the post is here).

As you can see I’ve highlighted this in gold too. I’m considering hand painting some roses in the panel that is bare as I did with my secrétaire. When I have more energy I’ll get to it.

On the doors you can see I’ve filled the gaps between the armoir carving with these wood mouldings bought here and spray painted gold.

You can also see that I’ve added additional flourish mouldings bought here and, again, spray painted gold. I’ve also highlighted details on the door in gold too. I did this as these doors are original Art Deco, which would be great in a more modern scheme but doesn’t really go with this. I took a chance that the details would bring it in line with the rest of the room and I think they’ve worked.

Previously I’ve given how tos on the panelling (here and here) but these were literally paint, glue them on and then repaint any details that need it. I haven’t done that last part yet due to my illness and you can see that when I remove the masking tape a little extra gold and blue came with it. It will be done.

You can see the little, porcelain door handle that used to be in the dining room that I’ve now moved here as I thought they went so well with the decor theme and colours.

I gave you a sneak peak of the marble relief picture, but here it is in more detail…

You’ll notice I’ve used the picture rail. The picture is so heavy I’d taken it down for fear of it dropping and smashing. I’d ordered the wire and picture rail hooks from here and here and it had taken some time to get to France (I hadn’t seen an equivalent here). They’re the brace to the belt of the picture hook and eye system that I’d already used. I’m a little more confident now that it will remain there.

The Queen Anne chair has been pictured on both sides of the room as shortly after I took the photos my husband came in and complained about its position. He thought that as it was just in front of the door it was an inconvenience. So I moved it to the other side.

Here’s a close up of the ceramic umbrella stand which is an original Art Deco piece and suits the colouring of the room superbly. I think it mimics the central chandelier with its pink candle cap light shades and the ceiling rose that reflects the stained glass design I made (see here).

In these shots you can see the cornice I’ve added and, unfortunately, the unfinished side panels. The one drawback of ordering the wood carvings from China is that they take soooooo long getting here and I’m waiting for two more pieces.

I was going to add some more wood carvings on the ceiling and above the picture rail, but it looks ‘enough’ now, and I don’t want to spoil it by adding more. Some of them have already arrived and I think I’ll use them in the dining room where I’d intended to do something similar.

What I am also waiting for is some crystal droplets to arrive for the chandelier – I’ll post with the other details as well as one more little thing I want to add.

So I moved the chair on the other side. I covered this about three years ago and had considered recovering it in gold damask as I have some material upstairs just waiting to be used. However seeing it here I’m not so sure I’ll rush into that.

Here’s a reverse shot of the chair. I’ve always loved the rose pattern on the reverse of the chair. I think the umbrella stand looks good here too.

Above the radiator, which I’ve spray painted pale blue along with the gold shelf, are some old dress design prints. One is from a collection in 1914….

or season one Downton, and the other is from 1922….

Now is that season three or four? Doesn’t the old telephone suit them?

Anyway I think they’re beautiful and the black and gold seems to tone down the cutesy girliness of the room as does, I hope, the muted pink and taupe.

I’ve replaced the photos of my great grandmothers, again. Whenever I decorate a new room they are ceremonially moved into it it seems.

Here’s a close up of that beautiful clock. I haven’t even tried to get it going yet. I don’t think it has a key. I know I won’t be winding it up every day so why fuss?

Finally here’s a close up of my Sacred Heart statue. I’ve added some tea light holders and flowers so it doesn’t look so bare as before. I’m dedicating all my family to Him anew today. Are you?