How to Large, Tufted Velvet Ottoman

There are some movies I watch just for the decor. Pretty much anything by Norah Effron, particularly with a young Meg Ryan in it, a lot of Hallmark movies (let’s face it the plots are often the same)….I was about to go on but I think this needs its own post.

Back to today’s topic; The Holiday. In particular Kate Winslet’s and Jude Laws respective homes. Rose Cottage, the tiny home swapped for the holiday, has a quintessentially English cottage vibe and in the centre of the sitting room is this gorgeous ottoman…..

Obviously you knew that I was looking in to ottomans from the inspiring ottomans post and as I dreamed my mind turned to how I could have one.

Wow, this has been a challenge. It’s been a real trial and error process; so much so that I actually ache in my arms and back. Yet this is mainly as a result of correcting mistakes that I made on the way to getting this….

….so I thought I’d share how I went about it so you don’t make them.

Obviously I’d been on Pinterest and seen the ottomans people had made using coffee tables as a base. However there was a bit of an issue for me with that. We didn’t have a suitable table, the ones I found at brocantes and other places were comparatively expensive and none of them were big enough. So I started to think about what I could do instead.

I had some furniture legs that I’d bought on a whim at the local DIY here in France; Brico Marché. They had a screw built in, so I thought it would just be case of drilling a hole and away we go. But best laid plans and all that.

I also recycled a lot of things in this project which saved money; namely an old cot, foam mattress and the wadding from an old quilt. I often use the latter as they sometimes get a bit lumpy when they’re old and you can easily cut them up and wash them in the machine, dividing the contents into pillow cases and securing the end with an elastic bands to keep them inside.

The former I will buy if I see them in second hand places or on internet sites. I can get them for as little as 5 euros, and anyone who’s bought foam will know what a bargain that is. So, saving the planet and saving money; woohoo!

Stage 1 – Marking the wood

As I thought I had the legs for the project already I went to the same Bricomarché and bought a large piece of pine wood; 120 x 80 cms. Now, here was my first mistake. I should have bought at least 2, if not 3 straight away. The pine was as much as the MDF board (15 euros per piece) and I later found I needed more. When I returned to the store there wasn’t any, so I just bought MDF pieces and I later found that they didn’t work as well. When I screwed the legs in the material wasn’t strong enough to hold it properly.

The depth of the wood is 1.6 cms, and I needed it to be deeper so that it was more robust and looked good to. I could have happily used one at the 1.6, and another double the depth but there wasn’t that option for me. So make your decision accordingly.

I made a plan for the button hole placement and marked it on the wood. My initial workings where on paper, ensuring that I started button holes with a sufficient gap between them and the edges, and having an alternate extra button so that there would eventually be a diamond effect.

You can see that there would have been a lot of buttons in my initial plan, and I thought it would be too much. So I took this time to re-plan, marking a B for button to differentiate. I should have written in pencil initially, but there we go.

When I thought I was satisfied I even did the diamond, tufted pattern to be sure the shapes would work; then I drilled the holes. Make sure your drill bit is wide enough to give a hole that you can pass an embroidery needle through comfortably.

Stage 2 – Add the foam, and make the holes

Next thing you need to do, if necessary, is cut your foam to size. I just used a bread knife and it went in the dishwasher afterwards.

Once it’s cut to size use some heavy duty, material glue spray and stick the foam to the wood on the opposite side to the plan.

Take a skewer and poke through the holes. Then using a pair of scissors cut a square shaped hole out where the skewer is. You can score four lines coming out of the hole to form a diamond pattern when finished, to give better form for your tufting. Also score out away from the exterior holes to the sides in straight lines too. You may want to make thicker indentations than the ones here, a start of V shaped channel, I did this later and it works so much better when you add wadding.

Stage 3 – Add the wadding

This was a big error of mine. Below is the original attempt half way through – can you see how flat the whole thing is? It ended up too hard, literally a rigid, foam table (you wouldn’t think those two descriptions would go together, but believe me they do).

So add wadding over the foam. I didn’t glue mine in place, I just went onto the next step.

Stage 4 – Start middle buttons

I used green gardening wire for this – yes really! You don’t have to keep passing it through to make it strong enough, which would be tricky with all that foam, and it is strong and easy to work with. Just make sure you use a large enough embroidery needle to let the wire pass through it.

Cut about an arms length piece of garden wire, then thread it through the embroidery needle. You don’t have to keep the wire doubled up throughout. I started off with a good bit of overlap of wire so that I didn’t lose it when going through the layers the first time, then when I threaded the button I reduced the overlap so that it was tied by one length of wire.

I can’t stress this enough – start with the central button hole in the centre of the material. This was when I changed the fabric, inspired by further Pinterest searches to get me going again following on from my setbacks. At this point I discovered The Holiday ottoman again, went on eBay and ordered some velvet material.

I used a really good piece of upholstery velvet fabric – I made sure it was one used for furnishings not just for curtains and cushions. It must be heavy duty in other words. I could tell it was heavy duty as on the back it had a felted, thick texture, not just the velvet pile. I ordered a 3M piece as I knew it would have to cover the length of the board and have sufficient to encase the depth I wanted.

First put the needle through the hole, then through the wadding and, when you’re certain it’s positioned correctly, pass it through your material. Then thread your button, leaving it loose bring the needle back through the material, wadding and foams. Pull on the wire so the button nestles within the folds.

Start on your next button and continue along the middle row.

Then you start the rows above and then below the middle one. As you pull the buttons into position you can start to create the tufts by folding the material into the scored crevices to create diamonds (see image eight above).

When you have completed the middle row, and have started the rows either side then you can pull the middle row extra tight and staple on the reverse a few times to secure the central row wires in place. Continue like this alternating the rows, gradually coming out from the middle. Sometimes I tied the garden wire to its neighbour to see the shape whilst working as you can see in image seven above.

The back is going to look something like this…

Stage 5 – Add depth to the base

As you can see I then added two layers of the MDF to the one with the tufting. Only do this when you are certain your happy with how it’s going. I originally started to drill and screw them together, but I actually found it just as effective and a lot easier to nail it together with the appropriate length nails.

You’ll see how I have 4 x 120 x40 instead of 2 x 120 x 80. They didn’t have the MDF in the right size as well as running out of the pine. Grrr. So I bought double the amount and put them two fold thick and side by side.

Start by nailing one of the boards with about six to eight nails to the one with the reverse of the tufting. Keep the nails in a straight line down the middle so you don’t try and nail one board in the same position and have difficulty.

Then nail the second board to this. I used about ten nails each half to make sure. Do these in parallel lines avoiding the middle.

Stage 6 – Add legs

At this stage the images are from my second, yes second, attempt. So I’ve gone from no wadding to wadding for ascetic reasons and changed the fabric to a plush velvet.

I had put in six of the legs that I’d bought thinking “This will be nice and sturdy”. No. The MDF broke when I put the heavy ottoman on its side to work around the edges and the legs had weight on them when positioned to turn it over.

So then I turned to these legs that I found on Amazon, which almost exactly match the ones on The Holiday ottoman. You can get them in three sizes – I chose 10 cms so it wasn’t too high, but there are varying heights depending on your preference. Because it wasn’t going to be as high I only ordered four legs, I think it would have required more with additional hight to make it more stable.

The legs come with all the essentials ie screws etc. However, the key thing is this metal Plate. You mark where the holes are in the middle of the plate on the side of the leg which will be fixed to the ottoman. Then drill holes and screw the plate into the leg. Then mark the four, corner holes in the plate on the ottoman and drill and screw into the wood. See below.

The stapled material is from my second, failed leg attempt. I undid this to re-style the ottoman. Skip that, obviously, and move onto the next step.

Stage 7 – Fix the fabric

Again, use starting from the middle as your guide here. Add more wadding along the side of the ottoman, to give it a comfy look and disguise the hard structure. Then take the fabric which runs from the middle, exterior row and fold and staple underneath the ottoman base. Then go to your next exterior buttons either side of this middle one and do the same thing. You can then staple the fabric taught in between these buttons before working towards the corner, but don’t do the corners yet.

Each corner button should have a tufted line running from the button to the side and one to the top.

When all of the sides are stapled you’re going to start on the corners. Double fold corners by folding the excess fabric in one way, and it’s counterpart in and over the other prior to stapling.

Trim any excess fabric around the legs in particular and double check it’s stapled well all around the outside.

Stage 8 – Adding gold trim

Add the gold trim by stapling it to the base, making sure the braided part can fit comfortably over the edge. Leave some excess trim to be tucked under away from the ottoman’s edge. Go all around the exterior, stapling every ten centimetres and more at the corners.

When you’ve gone around once do it again, trying to staple as close to the edge of the ottoman as possible to double the piping if you want. Secure it with the ends coming into the base.

Stage 8 – Adding fabric underneath

I did this as I have spare fabric and I’d used those half width boards which caused a bit of a mess underneath. Measure out the size of fabric with additional material so that you can fold some underneath to give a tidy hem.

At the leg secure the fabric in place by folding the four flaps you’ve cut away from the opening circle underneath and staple them in place to give a smooth line around the screwed in plate of the leg. Then fold underneath the other way and staple the fabric to give a neat corner. Do this round all four corners.

Estimate where the leg needs to come out and cut a hole just bigger than the end of the leg. Then cut four lines out of this circle, as if you’re making the circle into a square. Put this over the ottoman leg. Start just below the leg on the edge, and making sure the fabric is straight, turn a hem and staple it as close as possible to the trim. Go down the length of the ottoman and then return to the leg.

Turn the ottoman the right way up, dress and admire it!

What do you think? If you have any questions or comments drop me a line below.

How To House Sign Inspired by Golden Victorian Typography

How to house sign inspired by golden typography

After my Art NouFaux stained glass front door and update of the front of the house I’m adding additional details. I absolutely love these signs, as the post shows, and I thought of a way to get a similar look for our house. It’s normal in France to have your name near your door so, even though I already had the iron number on the door, I thought this would be a good solution. It’s sooooo simple. Honestly, one of the easiest crafts I’ve ever done. Here are the simple steps…

Spray paint a picture frame to make it weatherproof

We have a French glass porch, so I’m not expecting the weather to be able to get at this too much. However it always pays to weather proof. Mine started off grey, but I thought it would blend too much with the stone, so I chose black and gold throughout.

Spray front and back. I intend to attach mine and try and seal it to waterproof it from behind, but just to give it a bit of extra protection I think it’s advisable.

Spray paint the wooden backing and glass with mirror bronze paint

As my frame is round I spray painted the insert that goes behind the picture gold too. I didn’t know how see through the colour would be and didn’t want the mirror like shine to be diminished.

I originally thought of doing this with an actual mirror, but then realised there might be accidents outside my house with glare from the sun 🤭 😆. I wouldn’t have been popular in the village!

So this mirrored finish gives the same feel, but without the danger.

Create your design and print it on clear, waterslide decal paper

I used a frame from the graphics fairy and a monogram. There’s obviously no point in my doing a print out for this. Follow the instructions on your packaging, but you can see my how to here for this craft. This is a picture of the image before sealing and the decal clearly stands out from the backing. The mirror image looked super shiny too.

As I’d cut the decal out too small you could just about see the edging in the one above, so I redid it. But, like pinning your hair in a chignon, finding a couple of stray hairs and attempting to make it perfect, it wasn’t to be. I had the decal équivalant of a messy chignon, because it kept puckering. I don’t know why. I tried a couple of more times to no avail. Tant pis!

Seal the image with glossy, acrylic craft varnish

So, on my slightly less satisfactory, final attempt I used this really thick craft varnish to create a waterproof finish and seal the gaps between the glass and the picture edge. Make sure it’s glossy to keep the mirror shine.

On the second image i don’t know if you can see that the letter is slightly raised from the backing giving it a 3D affect. I haven’t put it up yet, but I’ll update you when I do.

Sauce Bottle Labels – Free Printout

Sauce Bottle Labels

You may have noticed these bottles when I gave you an update on our kitchen here.

I designed the bottle labels with the help of the Canva app. Living in France means that we can’t easily get our hands on a lot of Indian or Chinese cooking ingredients, so when we go to the UK we always bring lots back. Pouring them into these large bottles means that we save on space, so I wanted them to look good.

You can learn how to apply the labels by clicking here, I use waterslide decals to apply them. If you want to give them a go you can download the printout below.

Marian Herb Labels – Free Print Out

Marian Herb Lables

Have you ever heard of Mary gardens? For centuries, almost since the begining of the Church itself and especially the Middle Ages, flowers and plants have been named for and dedicated to Mary. In particular herbs have been used to represent her.  Soothing and healing herbs ones for her perfect love and mercy, bitter or sour herbs her sorrows and sweet smelling herbs her spiritual sweetness.

When we know what they represents herbs can add a spiritual dimension to our Catholic kitchens; providing an opportunity to reflect on her nature and experiences. Just like outside you can honour Our Blessed Mother in the kitchen, perhaps on the windowsill, with a mini Mary garden of small potted herbs and a Marian statue.

It was this in mind I created these Marian Herb lables for waterslide decals. Like the measurements chart, they’re super easy to do – follow the link for instructions.

You can get a print out of the labels themselves below, but there is also a part of the prayer for the blessing of herb gardens for the feast of the Assumption which I’ve also made into labels for the back. Here’s the prayer itself (of course it s only a small extract which I’ve highlighted in bold);

Our help is in the name of the Lord; 
Who hath made heaven and earth. 
A hymn, O God, becometh Thee in Sion: and a vow shall be paid to Thee in Jerusalem. 


O hear my prayer: all flesh shall come to Thee. 
The words of the wicked have prevailed over us; and Thou wilt pardon our transgressions. 
Blessed is he whom Thou hast chosen and taken to Thee: he shall dwell in Thy courts. 
We shall be filled with the good things of Thy house: holy is Thy temple, wonderful in justice. 


Hear us O God, our Savior, who art the hope of all the ends of the earth, and in the sea afar off. 
Thou who preparest the mountains by Thy strength, being girded with power: who troublest the depth of the sea, the noise of its waves. 
The Gentiles shall be troubled, and they that dwell in the uttermost borders shall be afraid at Thy signs: Thou shalt make the outgoings of the morning and of the evening to be joyful. 


Thou hast visited the earth, and hast plentifully watered it: Thou hast in many ways enriched it. 
The river of God is filled with water, Thou hast prepared their food: for so is its preparation. 
Fill up plentifully the stream thereof, multiply its fruits: it shall spring up and rejoice in its showers. 


Thou shalt bless the crown of the year with Thy goodness: and Thy fields shall be filled with plenty. 
The beautiful places of the wilderness shall grow fat: and the hills shall be girded about with joy.
The rams of the flock are clothed, and the vales shall abound with corn: they shall shout, yea, they shall sing a hymn. 


For the Lord will give goodness; 
And our earth shall yield her fruit. 
Thou waterest the hills from Thy upper rooms. 
The earth shall be filled with the fruit of Thy works; 
Bring forth grass for cattle. 
And herb for the service of men; 
That Thou mayst bring bread out of the earth; 
And that wine may cheer the heart of man
That he may make the face cheerful with oil; 
And that bread may strengthen man’s heart. 
He sent His word and healed them; 
And delivered them from their destruction. 

Almighty, eternal God: by Thy word Thou hast created heaven, earth, and the sea, all things visible and invisible, out of nothing; Thou hast ordained that the earth bring forth plants and trees for the use of men and animals; Thou hast decreed that each germinate according to its natureand bring forth fruit in due time, and Thou hast decreed that these plants should serve not only as food but as medicine in time of sickness. We humbly pray with heart and tongue that Thou wouldst bless these various herbs and plants and in Thy mercy grant a new blessing upon those powers that Thou hast caused to be inherent in these plants. May they, therefore, be a protection against all sickness and tribulation when we use them for man and beast in Thy name whose glorious Assumption we celebrate this day. 

O God, who on this day didst raise the root of Jesse, the mother of Thy Son, Jesus Christ, our Lord, to the heights of heaven, we humbly pray Thee, that by her intercession and under her protection the fruit of her womb, Thy Son, might be given to us mortal men, that by the power of Thy Son and the protection of His glorious Mother we may be disposed to our eternal salvation by these temporal gifts.

O God, who didst command the children of Israel that they should bring the sheaves of new fruits to the priest to be blessed and that they should rejoice before the Lord, graciously hear our prayers and pour forth the fullness of Thy blessing upon these fruits and herbs which we gratefully present this day before Thy altar.

Grant that, wherever they may be placed, they may be a potent means against sickness and pestilence, against the poison of serpents and the sting of poisonous animals, as also against the deceits, snares, and machinations of the devil. Grant that we may be worthy to be received with our sheaves of good works into heaven through the merits of the most Blessed Virgin.

God bless!

Family Bakery Sign How To

Family Bakery Sign How To

As I said in this post I love kitchen signs, particularly the ones that look handpainted and a little Victorian. I really wanted a sign on the side of the bookcase where I’ve put the French baguette bin, but as it was a fixed position I had two options.

The first was to do a seperate sign and the fix it to the wall. This would have given me the opportunity to take my time in painting the letters.

The second was to apply something to the wall itself. I’ve never got to grips with image transfers, but as I’ve recently found water slide decals this seemed like the best option (see here and here). It meant that I could choose something with a lot of detail too, which is a bonus.

By the way I used an iPad and Canva app to do this, so the instructions obviously reflect that, however I’m sure you can adapt them for other systems.

The first thing was to design a sign. I’d done a lot of inspiration research and I really like a mixture of typefaces and scrolls etc. I also like illuminated letters. I trawled through Pinterest for free to download Wreath illustrations (thank you graphics fairy) and monogram letters to use.

Take a screen shot

When you come across an image or piece of typography you like you can take a screen shot of it – all computers have different ways of doing this, so you may have to look yours up. However on an iPad, as I tend to us, it means pressing the circular home button and your on/off button to the side of the iPad at the same time. When you do that a photo of the image you want will be taken and stored in your photos.

Edit the screen shot

Your screen shot will have lots of other things apart from the image you want on it, so you need to get rid of the excess. On your iPad when you have your photo open in images you’ll see an icon for editing it in the top, left hand corner; press on that.

The edit facility will look like this

The third icon down, the square with arrows surrounding it in shot 2, is the option you chose to edit the image. Once you’ve clicked on it the image will be smaller and you’ll have two capacities on your iPad; to rotate the image to a position you want it in using the dial on the right, or to resize it using the four corners at the edge of the image. Just move the highlighted corner to move the edges inward until the image is cropped. When you’re done press ‘done’ on the right hand side and your image stays like that. However if you want it to go back to the original go back through the edit system and press revert.

Creating your layout

Once you’ve selected typefaces and decorative details for your sign you want to create a layout. I used the Canva app to do mine, which is a free app that you can download. At the top of the open app you’ll see lots of different options – I chose poster for this project.

You can use a pre-existing template, but I just wanted a blank space to try different set ups on. In the left hand tool bar (see above) you can see an option saying uploads. If you click on it an icon for your photos comes up and clicking on this shows you your photo gallery including your cropped images.

Select your image and slide it into the work space. Above the image you’ll see lost of different functions. Move the image to where you want it and make it smaller by touching on one of the black circles moving them in (below).

As I wanted a monogram effect I’d already decided I wanted a stand alone type face in our surname, so I had the image stored in the gallery and added that in the same way. I used the same method to move and make smaller the image. As you can see in the image below, images added from your gallery will have a solid background, so if they overlap another image from your gallery they will block out that part of the image. Canva text boxes don’t have this problem though.

You can see in the next shot that I just position the V in a way that ensures no overlap.

In the next one you can see I’ve applied a text box using the text icon. There are lots of pre-existing layouts you can use, but I find that some are stuck in caps so it’s easier to use the simple ‘add text’.

In the next image down you can’t see a tool bar has come up above the keyboard. It does that when you touch the text to alter it. On the left hand side you can see the typeface which you can scroll through to get your preferred one. Once you see the one you like touch it and you’re text changes. Use the large and small capital to increase or decrease the size of the text and then position the text where you want it to go.


Carry on in this way until you have the design you want. You can see in my final design below how the text of ‘akery’ overlaps the B typeface that I’d downloaded. This is because the text box, unlike the downloaded images, doesn’t have a solid background so they give far more flexibility.

The image below is towards the end of my final design. If you look at the ‘Pastries’ text you will see there is a turning arrow symbol. I used this to give the pastries word a slant that mirrored the scroll design. You can also see the scroll design below has a part of the image I couldn’t crop out, but as I’m going to apply them with water slide decals this doesn’t matter as I can crop them in real life with scissors.

At this stage it’s best to download your image by pressing the download function button on the top right hand side of the screen and a box appears for you to download (See below). I always use the top option and it saves the image into my photos. I then insert the image into a document page and make sure it’s at full size.

The next thing to do is seperate all the parts of the image so that you can remake them on a bigger scale. I did this by using the additional page function, then copying an element of the design and putting it on an individual page.

If you see the images below you can see I’ve copied the image by pressing on the two, overlaying rectangles in the right hand margin. To get lots of seperate images delete all but the part that you want to use in a stand alone capacity. So the wreath and family name I’ve kept as one image on a page, the bread and cakes part another and so on. Some I didn’t make a page for, like the B, as I already had a cropped image of this to make this mock up.

Take a screen shot of these stand alone parts (see below) and crop them as before (below again).

In your pages section, using the mock up as a template, seperate out the parts so that you’ll be able to print them on waterslide decal paper.

In order to determine how best to lay your design out you need to think about how many pages your design will need to be spread over. I did this by holding a piece of A4 paper in landscape and then counting how many I would need to fill the space in the top portion and the bottom. The design was spread over this many pages.

Do a mock up first; printing on plain paper and placing them where you think they should go. This way you won’t waste any decal paper.

Also, once you have an idea of the text size you’ll need, you may want to rearrange your components of text into different groupings in order not to waste too much waterslide paper.

You’ll notice that the finished piece has some additional illustrations. When I put them on the side of the cupboard I wasn’t satisfied with the gap at the top between bakery and our family name in the wreath and bakery, so I hunted around for a suitable illustration and followed the steps again.

I’d also started placing the bottom part too near the base and there was an unsatisfactory gap. The illustration of the woman drinking her tea was perfect to fill it. As far as I’m aware all these are free to use by the way.

Finally, I’d planned to fill the original bakery B with my own colours, but as I sealed the design with a coat of spray varnish they ran. I’d use different sharpies and expected that to work, but alas no. So the B you see in the image was my second attempt.

Also, as you can see, I’ve changed the baguette bin from lavender to a teal blue. I think it’s a better tone for the yellow, don’t you?

What do you think? The kitchen is no where near finished and I might be a bit crazy to have done it already, but I’m super pleased with the result. Even the hubby likes it!

If you have any questions drop me a line!


How to Measurements Kitchen Sign – Free Download

How to Kitchen Measurements sign

I’m really pleased with how this turned out; it was super simple to do and didn’t cost a lot at all. At the bottom of the post you can’t print out the chart for free, but this is how I did it.

Print out the image below on waterslide paper

Be sure to order either inkjet or laser paper, according to your printer, and that the type in question is clear. I used this one here. I’ve a more in-depth tutorial here, but suffice to say you print it out as normal (no need for a reverse image) so the ink goes on the glossy side of the paper. Leave it to dry for half an hour so you don’t smudge the ink.

Spray varnish the decal

I can’t stress this enough, but do it at least four times, making sure it’s fully dry in between. This will make it so much easier to dry. It really is the difference between using something that’s like cling film and something which feels like a laminate sheet pre the machine.

Clean the glass you want to put the image on

Remove the glass from the frame and clean it, making sure it’s dry. I used an old frame which had another image in. It was an old, old french photo which had just been glued on some backing and put in the frame; no mount and the corners where turning. I’d bought a new frame for the photo and put the original aside. So when I thought of this project I dug it out; it’s natural wear complements the image I was creating.

I kept the backing of the frame under the glass whilst I worked so I could see what I was doing more easily, but it wasn’t connected for ease of movement.

Put the decal in water

As the image is A4 in size I couldn’t use a bowl, so I just used this roasting tin to submerge the decal in water. As you can see it rolls up at first and then gradually unrolls. It takes seconds and when you see that it’s time to take it out.

Place the decal on the glass

Put it where you want it to go on the glass, with the decal backing still attached. It’s easier to position like this and leaving the decal in the water that long is going’s to make the backing’s removal easy.

Slide the paper

As you’ve given the paper enough time, separating it from underneath the decal should be relatively easy. Gently holding one end, slide the paper out, readjusting it slightly when necessary. However you can tear it if you readjust too much, so it’s better to get it in place as much as possible before hand.


Smooth it out

With your finger smooth out the decal from the inside to the outside to get rid of any excess water and bubbles. It helps if after you’ve done this once you hold the glass up to the light and do it again to get the best result.

Dry off the excess water

Start by using a dry cloth and lightly patting it, then prop it up somewhere safe so it dries completely.

Glue it to the frame

Using a clear, preferably water proof, glue around the rim but try not to use too much as you don’t want it smearing when you add the glass. Make sure the glass is facing the right way – yes, I did that 😳, 😆. Slot the glass in and put any clips in place to add an extra layer of security. Lay it face down to let the glue dry.

Display it!

Here’s the finished image….

As you can see it just has numerous conversions that I need when I’m baking as well as some vintage looking illustrations.

You might not want to use this, but with this method and some inspiration I’m sure you can come up with something you’d like to do.

Nothing but tea….free print out

Nothing but tea

As I do up the kitchen I’m trying to incorporate little unique features. In the upper part of my dresser, that I’ve painted yellow, there is a space that was crying our for a little touch. I intend to keep all our teas there; trusty PG Tips and my hubby’s collection of digestive, green, Earl Grey…..there’s a lot of tea.

I was cruising the internet one day and came across this quote – how fitting is that for a little tea corner? So I’ve put together this and your welcome to dowñload it and make one for yourself here. Enjoy!

Autumn Wreath How To

Autumn Wreath How To

As it’s the first day of autumn today I thought I’d share this old how to on an Autumn Wreath from my previous blog.

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I started making this wreath out of vines from the garden last year and decorated it differently at that time. However recent Pinterest searches had me inspired by the Autumn or Fall decor that our cousins the Yanks are so good at. I don’t know whether it’s their Thanksgiving tradition, but they’re decorating at this time of year is awesome, I love it. So I thought I’d give it a go.

Making a vine wreath is simple. Just cut some fresh vines, I actually used some kiwi fruit vines, and start to make a circle with them, starting to weave additional pieces in and out.  I eventually tied up my wreath with florist wire as you can see here…

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So far so (pretty much) free. I’ve got to say that I would have liked to have made the wreath thicker, but I couldn’t hack away at the vines too much as we were in a gîte of our friends at the time. This really affected how I decorated it.

Due to the thinness I wanted to add some density, and I also wanted the wreath to be used each year, so I bought some silk flowers;

  • 5 cotton branches
  • 5 red berry branches
  • 2 x 5 bunches of sunflowers
  • burlap ‘ribbon’
  • a set of wooden, alphabet flags with a string (you may not be able to find one like this, but could make something similar I’m sure).

Of course you may just want to add sunflowers if you want to attempt this and this will save you money. Or, if you have the thickness from the vines, you may want to buy just berries, or add pine cones for earthy tones.

I then started to weave out the ‘cotton’ branches just like I’d done the real vines, and I did the same with the berry branches, leaving a space at the top for a burlap tie and bow. I used some more florist wire at this stage to tie it in place.

Next, as the sunflowers were in attached bunches, I separated them with secateurs. These were inserted into spaces around the wreath as well and, where needed, I added extra florist wire.

I’d made the decision not to glue the decorations with hot glue at this time as we are planning our final move (yes, we’re looking to buy in France, woohoo!) and I don’t know what our final house will look like. One house we’ve looked at has a double front door as well as a nearby single one. That would suggest two small wreaths and a large one; so I don’t know if this will be deconstructed and the parts used elsewhere to make a three wreath display, a two wreath display etc. However I do think that gluing the flowers, for example, could ensure I could position them how I’d like (some of the flower heads face the wrong way, for example).

As les petites filles birthdays are so close together I decided to make the wreath an alternate birthday wreath with the little flags. So I have ‘happy birthday’ and then I change one daughter’s name for the other when the time is appropriate.

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I don’t know if I’ll keep it as a birthday wreath, perhaps next year I’ll use it as an All Saints/Souls wreath next year? Or if we do end up with a three door house perhaps I’ll have one for each feast day and a third as a birthday wreath? Either way I love the wreath, particularly as we approach the drive and are met with beautiful Autumn colours like these that reflect the wreath….

My Brocante Lamp Refurbished

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This is an old post from my previous site that I thought I’d share again in light of this.  I new it was brass, just by the sheer weight of it; so despite the too small, tobacco stained lampshade (kind of wishing I’d saved that for an upcycle, but we got rid of it when we moved from our temporary gîte) and the bizarre, carpet base it had was o be mine (cue evil laugh – bwah, hah, hah).petitnid blog wordpress brass lamp before

The first thing I did was buy a lampshade to replace the one it had. This cost 12€ from Centrakor and was a great size and shape for it, if a little plain. However I’d bought it without the lamp and when I got it home the fitting was way to big for the lamp’s bulb fitting. This often happens with older lamps, but I managed to find these lampshade reducers from Amazon to fix the problem.

As soon as I’d got it home I took a peek beneath the carpet and could see some plywood  being used for the base. It seems someone has broken the original base and knocked this together to salvage the lamp itself. As most of these lamps rest on a marble base I wondered if imitating something like this would be a good alternative. As I can’t afford a real marble base this means a paint job. I finally got round to doing something with it in today’s nap time.

I started off with the base and ripped off the carpet. Because I wanted an uneven surface to give it a stone like quality I didn’t bother removing all the carpet remnants and didn’t sand it either. I didn’t want to spray paint this one as although it’s my favourite nap time method due to the speed of it, it would be easy to get it on the brass which would be hard to remove. With chalk paint if that happens I don’t even need to use sandpaper. I’ve done something similar before and, because Iwanted to make sure the surface wasn’t damaged, I just lightly scraped it with my thumb nail on a slight patch. It didn’t damage anything, except for me nail that is.

The main reason I went for chalk paint though is because of its ability to thicken, allowing you to give depth and texture to the paint. Perfect for this project. I added two to three coats and left enough time between each to allow the surface to almost dry before adding another coat. I want to build up lots of dense, uneven layers.

In fact if you look at the first picture you’ll see that the person who added the wood didn’t sand or finish it, so there are lots of gaps. When I was painting I just took advantage of the thickness of the paint and filled these in.

To get the same effect you need to dab at the surface, leaving brush marks. The longer you leave the chalk paint the denser it becomes, so leave the lid off between each coat. You can see the pictures of these stages here…

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See how the texture has got progressively more dense? Of course the carpet remnants help too.

After this I wanted to give it an aged look to blend it with the Brinze itself and so I used a round headed brush to roughly dab on some Annie Sloan dark wax to seal and emphasise all this rough work. In some areas I used a little, others a lot…

 

You see how it gives that lovely aged, marble like effect?

I decided to use leftover trim I had from the curtain project. The silk flowers are some that had been attached to a dress I wore to a wedding. If I’ve decided not to wear a piece of clothing again I like to see what I can use it for or what I can salvage from it.

Whenever I’m thinking about adding trim to something I photograph different design ideas and then create a pic collage to get a good comparison to see what I like. Here’s the variety of trim I tried.

I felt the top and/or bottom designs reminded me of Easter Bonnets crossed wth St Patricks Day hats, so they were out. When I’d decided on my design, because I was laying the ribbon in the centre and therefore couldn’t use the edges as a guide, I had to mark a line. I just used chalk and a measuring tape. The ribbon is 5cm in width and the width of the shade was 29cm, so I measured 12cm and marked a line and placed the ribbon edge on that.

When I tried out the ribbon it seemed easier to make it fit one way that the other, it laid flatter. Maybe this is because velvet ribbon is weaved on the bias.

I know a lot of people use hot glue guns for this type of project, but I used one once and it seemed to come though and spoil the material and I’ve been put off from them ever since. What I used to stick the ribbon to the shade was heavy duty spray glue. I started by cutting the length of ribbon I wanted then, starting with the middle, sprayed about a 10cm length with glue spray before lining it up with the chalk marks. I repeated that process around the lamp.

With the kind of tapering shape at some stage you find that you can’t continue to line the ribbon with the chalk marks without it puckering up. As I reached the side of th example, Where I felt it would be less noticeable, I snipped half way down the ribbon so I could lay one half on top of the other. At first this looked a bit messy, but when the second, thinner ribbon was added I don’t you don’t notice it. However, with hindsight I probably should have measured and placed that as it’s  a bit wonky, ha!

 

When I attached the silk flowers, as they’d originally been a broach, I did so with the safety pin. If I thought of this when I was adding the broader ribbon I would have just placed that bit of excess material at the front and attached them there as it was kind of tricky to do on material that’s fit tightly against the drum.

Heres the finished lamp with the light on and off. What do you think?

 

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