You may have noticed my long absence; I’ve had so much to contend with and in the middle of it all I decided to start the second part of our mouldings. I cannot tell you what a mistake that was! It turned out to be a huge job -not the mouldings themselves, which were simple, but I suddenly found myself doing lots of other work around them too.
I’ve seen on Pinterest lots of helpful ‘how tos’ on wainscoting or panels to your walls. I always think they look classic and they’re on my decorating want list for the other entrance.
However with the main entrance I wanted something more classicly French that would still go with my Art Noufaux doors (how to here). So I came up with this way to add faux panels (take a look at the more intricate panels in my first how to here).
Throughout the hallway was textured wallpaper with an underlay of very thin polystyrene. This had been used because the plaster beneath was rough and in some places falling a part. So the reason I’ve been delayed, amongst other things, is I’ve been stripping most of the wallpaper off and plastering the wall as well as starting to work on covering the seams of the remaining wallpaper to paint.
I’ve also added a picture rail. If you want a how to for either of these let me know in the comment box below.
For the panels I used19mm half rounds and more decorative wood appliques. The ones I used are here…
You need to decide if you want rectangles or squares for the panels. I chose rectangles as they elongate the room. I cut all my half rounds into the same length though as the height and length of the mounding still were very different so they actually created the rectangular shape.
Unlike the other panels I painted the wall before I applied them to make it easier to decorate post paneling. However I’m not sure if this was the best thing. I’m going for a two tone look in this section and I think I wasted paint in the middle which will be painted over with a taupe colour. Here’s my inspiration for this section by the way….
One benefit of painting first is that you can see blue through the fretwork of the scrolls, as you can see here…
I’d also pre painted the lengths and scrolls. Painting delicate details in situ can be tricky so this gave me a head start. My gold liquid paint is a slightly lighter colour, so I’m going to use the two shades as a detail itself.
As I had to work around the radiator, which I’ve sprayed the same shade of blue and it’s given it a new lease of life, it naturally led to my considering it in the placing of the panels considering its dimensions. Would I place it near the wall, and therefore have the entire panel on display, or would I have some of the detail behind the radiator itself? I went for the latter as I wanted the panels to be parallel to each other and, as there was no impediment on the other side, the spacing wouldn’t look right.
Work out the spacing?
Prior to continuing I placed what would be the upper half of the panels on the floor running alongside the wall to have an idea of how they’d fit. Satisfied I carried on to the next part.
Obviously when I was working out where to place the mouldings I measured the half rounds in addition to the lengths of the appliqués and then with the depth. As I was going to have two panels I subtracted the total of the two from the length of the wall and I was left with 32 cms. So I decided to allow for the majority of the gap in between and divided the space as 10cms, panel length, 12cms, panel length, 10cms.
I did the same with the depth, deciding on a distance of 5cms between the wall and the length of the wood scroll.
Adding the first detail
Just like my previous tutorial I used no more nails and immediately applied some to the back of the first, wooden scroll. I measured 5cms down and 10cms in and applied it to the wall. Using my infra red beamed spirit level I continued along.
Adding the first length
NMN was added to the half round and applied to the wall with the spirit level’s aid. However I checked the distance from the dado rail with my measure as we’ll.
It’s really important to do this as in an old house like this (ours is definitely pre 1850s, they only kept records after that date, so it could be sìgnificantly older) there is often movement in the walls etc. So although the houses are solid they may not be 100% level. As a result a level line might not coincide with the dado rail.
Continue with the rest of the rectangle.
Measure the width between the rectangles and start again
Is this sounding simple? It is. It would probably be tricker if I didn’t have the dado rail already. After the internal double doors, where I plan to continue the moulding, there’s no dado rail. I’ll have to apply a dado rail there and I’ll post about that then.
In the corners it was too small for individual panels without them looking odd, so I continued the panel around the bend. This meant still using four of the scrolls, the same half round length for the depth and a significantly reduced horizontal half round.
I glued the two top scrolls first, then worked out the different length for the top horizontal. Having glued the verticals and the second scrolls I worked out the next horizontal before gluing. Like with the previous panels I checked the measurements throughout.
More odd areas
The next odd areas where too narrow for double scrolls, so I used this carved, corner detail and a scroll without any horizontal half rounds. I’m actually really pleased how this one turned out.
I painted the interiors this taupe colour, but I feel it’s a little strong. I intend to add a raised stencil to that area in the blue to tone it down. I’ll update you on that as well.
I’ve also used a complimentary gold to highlight the scroll detail and, as you can see in my last ‘odd area’ I’ve started to highlight parts in gold.
Of course, I’ve done it all out of order as I should have started with the ceiling first. However I was waiting for coving to arrive and was too eager. Next will be door details and following that the coving, ceiling details and a feature between the picture rail and the coving. Subscribe so you don’t miss any of it and let me know in the comments what you think – I’d love your feedback!
6 thoughts on “How To French Country Mouldings Part 2”
Classic and absolutely beautiful.From what I’ve read and seen in your posts I have to say everything your hands touch prospers from your family, home,garden & animals. You are exceptional among women. You truly are a woman of valor
Thank you so much Theresa. I’ve just posted on your farmhouse entrance. It’s so lovely! I especially love the cabinet. 💖
Thank you,that cabinet was built in Louisiana by a friends husband both are deceased and it brings them to mind often. I had several pieces that I sold when down sizing years ago. I believe it is close to 20 years old.
It’s lovely and a lovely story to go with it.
I’m trying to use things like that to pray for the dead. I worry that it’s forgotten as a practice and so many souls are suffering.
Thank you,what a great idea you’re so thoughtful
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